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Switchfoot doesn't sing "Christian" songs

12/13/2013

1 Comment

 
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Lead singer Jon Foreman was asked if Switchfoot is a “Christian” band.  His response is worth pondering.  

“To be honest, this question grieves me because I feel that it represents a much bigger issue than simply a couple SF tunes. In true Socratic form, let me ask you a few questions: Does Lewis or Tolkien mention Christ in any of their fictional series? Are Bach’s sonata’s Christian? What is more Christ-like, feeding the poor, making furniture, cleaning bathrooms, or painting a sunset? There is a schism between the sacred and the secular in all of our modern minds.

The view that a pastor is more ‘Christian’ than a girls volleyball coach is flawed and heretical. The stance that a worship leader is more spiritual than a janitor is condescending and flawed. These different callings and purposes further demonstrate God’s sovereignty. 

Many songs are worthy of being written. Switchfoot will write some, Keith Green, Bach, and perhaps yourself have written others. Some of these songs are about redemption, others about the sunrise, others about nothing in particular: written for the simple joy of music. 

None of these songs has been born again, and to that end there is no such thing as Christian music. No. Christ didn’t come and die for my songs, he came for me. Yes. My songs are a part of my life. But judging from scripture I can only conclude that our God is much more interested in how I treat the poor and the broken and the hungry than the personal pronouns I use when I sing. I am a believer. Many of these songs talk about this belief. An obligation to say this or do that does not sound like the glorious freedom that Christ died to afford me.

I do have an obligation, however, a debt that cannot be settled by my lyrical decisions. My life will be judged by my obedience, not my ability to confine my lyrics to this box or that. 

We all have a different calling; Switchfoot is trying to be obedient to who we are called to be. We’re not trying to be Audio A or U2 or POD or Bach: we’re trying to be Switchfoot. You see, a song that has the words: ‘Jesus Christ’ is no more or less ‘Christian’ than an instrumental piece. (I’ve heard lots of people say Jesus Christ and they weren’t talking about their redeemer.) You see, Jesus didn’t die for any of my tunes. So there is no hierarchy of life or songs or occupation only obedience. We have a call to take up our cross and follow. We can be sure that these roads will be different for all of us. Just as you have one body and every part has a different function, so    in Christ we who are many form one body and each of us belongs to all the others. Please be slow to judge ‘brothers’ who have a different calling.”

Foreman mentions the Christian "box" that many people want to stay in, and put others in.  I agree with Foreman that this box is particularly limiting when it comes to art.  So go out and create something - something beautiful, something wonderful - and do it to the glory of God.


This post was written by Dave Browning.  For the original post, go to:  http://deliberatesimplicity.blogspot.com/2013/12/band.html

BE HOLY.
BE A MAN.


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What makes a band Christian?

6/7/2013

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Did you know that the members of U2 are Christians and that they frequently explore issues of faith in their songs? Shocking, right? I know!

A recent BuzzFeed piece got way too many views with the irritating title “11 Bands You Might Not Realize Are Christian.” Author Matthew Perpetua seems to be trying to “out” people of faith in the music world by making over-reaching assumptions about the members’ beliefs based on lyric snippets and his own editorializations. For Perpetua, it seems the inclusion of any kind of Biblical imagery is reason enough to identify a band as “Christian.” In addition to listing U2 in the No. 1 spot, he includes Black Sabbath, Mumford and Sons, The Avett Brothers, Evanescence, Belle and Sebastian, Lenny Kravitz, Kings of Leon, Sufjan Stevens, The Civil Wars and the incredible Black Rebel Motorcycle Club, who just released an excellent new album, Spectre at the Feast, and successfully rocked Nashville this month.

Back in 2009, I wrote a piece for Christianity Today that suggested that all music was spiritual. Sure, some of it gets used for ignominious purposes, but the thing that makes music so powerful is the spiritual essence of it. It may be good or bad, true or false, but it’s all spiritual. Bono once said that the best music is either written about people running toward or away from God. T-Bone Burnett, who inspired me as a kid, once said that he could either write songs about the light or about what he sees as a result of the light. Glenn Kaiser rocked my world when he used blistering hard rock to simultaneously share the Gospel with the lost and to challenge the found to engage their pilgrimage with intensity and integrity. Reducing this wide spectrum of expressions down to a bucket labeled “Christian” is a way of dismissing it from the general culture on one hand, or uncritically endorsing it to a sub-culture on the other.

There are several specifically “Christian” uses of music, and I am a fan of them all when done properly. Music can be used sacramentally, as in worship. It can be used prophetically, as a challenge to the church or the world to change its ways. It can be used educationally, to help train people to memorize Scriptures or stories that will enhance their understanding of their faith and its implications. Sometimes music is used well in these purposes. Often it is not. It seems to me the lame/great ratio is about the same in the Christian world as it is in the Top 40.

But when songwriters who happen to be Christians participate in the larger cultural discussion with songs that address love, lust, fear, war, politics or the beach, must it be called “Christian music” and be sold in separate stores and played on separate radio stations? The prevailing desire to label and categorize that kind of music seems to be the result of two things: Christians who would rather be spoon-fed “safe” music than engage in critical thought or discernment of their own; and snarky pop-culture critics who were exposed to too many Carman videos as children and want to make sure their cool friends know what some artists secretly believe.

I get that there is too much useless music in the world and that some adventurous and open-minded Christians may wish to discover new artists who are particularly thoughtful when it comes to wrangling with the implications of a life lived under the gaze of God. I supposed they might turn to certain articles, like BuzzFeed’s, in that pursuit. But if the discussion is designed to create an alternative to personal discernment and critical thought, or to endorse bad art because it is about Jesus, we have a problem.


This post was written by John J Johnson.  For the original post with comments, go to:  http://thinkchristian.net/will-we-ever-stop-labeling-bands-christian


What about P.O.D. using the f-word?  Go to this article previously posted here at Ironstrikes:  http://www.ironstrikes.com/2/post/2012/07/murdered-love-pod-uses-the-f-word.html

BE HOLY.
BE A MAN.


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Murdered Love:  P.O.D. uses the F word

7/16/2012

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Musicians rarely use the “F” word if they want to receive radio play. The group Insane Clown Posse, when they wrote the song, “F--- the World” knew that it would never achieve popular status, using the “F” word 93 times in that song alone.  Of course, the members of ICP don’t claim to be Christians.

The first popular Christian musician who used the “F” word was Bono from U2 with his statement on national TV that the stage at the Golden Globe Awards was “f---ing brilliant.”  His statement raised a firestorm of controversy.  Because his statement was on live American TV, the FCC was involved and ruled that Bono did not violate FCC standards.  They concluded that the wording “f---ing” was used as an adjective not a verb, making it in the same classification as “bloody” which is commonly used on British TV. 

Next, there is Brian “Head” Welch who recently left Korn and started his own band because of his conversion to Christianity.  His song, Flush, has a very controversial video attached to it.  The video has lesbian behavior, scantily clad women and drug use in it.  The song makes no mention of Christ, just a dark, nihilistic portrayal of a sinful lifestyle.  The last line, “come on, get up, let’s change” is a reference to the life changing behavior that can occur when one opens his/her life up to the saving power of Christ.

I read Head’s autobiography and am impressed with his undying allegiance to our Savior and his commitment to reach an audience that would not normally listen to Christian music.  He’s dying to bring his Korn fans to Christ. 

Arguably, that’s where P.O.D. is coming from on this new album, Murdered Love.  P.O.D. has  a large Christian fan base but has always had a wider appeal to the secular world since the albums Southtown and Satellite. There have been rumors that P.O.D. has given up their Christian beliefs.  Many believe that P.O.D. will alienate their Christian audience.  There have been statements that a Christian should never use the “F” word.  The Christian world, from my observation, has not been terribly charitable to P.O.D.

Nevertheless, P.O.D. keeps cranking out terrific music.  This new album, Murdered Love, is no exception.  The title track, of Jesus’ crucifixion, is an absolute masterpiece and representative of P.O.D.’s finest.  However, my favorite track, “I Am” is just mind-blowing.  This is the song that has gotten P.O.D. into some hot water.  This is the track that uses the “F” word.  My heart breaks when I hear this song and it has nothing to do with the fact that P.O.D. uses the “F” word.  This song is meaningful to me because it is clear that P.O.D. understands the hurting sinfulness of our world.

Some people are saying that P.O.D. is just trying to reach a wider audience.  However, I believe that he is trying to shock his Christian audience out of their white, sanitized Christian bubble.  This song is written from the perspective of a person who has been horribly used, abused, and beaten down.  Here is a lyrical sample:

I am the murderer, the pervert, sick to the core,
I am the unclean dope fiend, I am the whore
I am the forgotten child, ravaged and raped and sex trafficked
Since I'm a little strange Daddy called me a faggot

Are you the One that's come to set me free?
Cuz if you knew who I am would You really want to die for me?
They say you are the cursed man, the One who hangs from this tree
But I know if this is the One and Only Son of God, so tell me who the F--- is He?


Don’t let the “F” word distract you.  This is the way that the used and abused of the world feel.  “I’m not worthy of anybody loving.  Plus, I live in hell and this God that you talk about doesn’t help me.  So, F--- this God!”  

Their anger is unmistakable. 

These are the people that we see every day, but walking around in our little Christian bubbles we refuse to interact with them.  They are the broken, dejected, dirty, the dregs of society.  They are the drunken, drugged, prostituted, sexually confused, homeless people that we tend to avoid.  How dare I get my hands dirty by interacting with them?!

Our sanitized, white, perfect Christian world needs to be awakened.  The world is going to hell around us.  They are mad at the way we ignore them and they blame God because of our insensitivity and our hangups on the "proper" way that Christians are to talk and act.

With the song "I Am", I believe that P.O.D. is saying that God will hold us responsible for how we portray His impeccable character to a hurting world.

I am so glad for bands like P.O.D. who rock our world (in more ways than one) and help us to see that there is a dying world out there and we need to be making a difference.  People need to see that God cares, God loves and they are worthy of someone dying to save them.

Jesus died to save the world. 

Are you dying to share Jesus with this dying world?

Tomorrow, you will see another perspective on swearing from my friend, The Seeking Disciple.

BE HOLY.
BE A MAN.

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